i know people like to shit on the french plantation scenes, but pacing aside, i actually like that chapter of the film. it’s very different, very eerie, like visiting a different time period, or a ghostly memory of if, more like. it’s like a strange comforting (i’m bad with words) stop after hell before the final plunge into madness
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I agree, but I don't think it's the right way to experience Apocalypse Now the first time.Ruth wrote: ↑May 26th, 2019, 2:08 pmi know people like to shit on the french plantation scenes, but pacing aside, i actually like that chapter of the film. it’s very different, very eerie, like visiting a different time period, or a ghostly memory of if, more like. it’s like a strange comforting (i’m bad with words) stop after hell before the final plunge into madness
also as Keith says, the doc is vital
-Vader
It's a really great scene. And it's incredibly accurate about French society. Coppola made me understand the trauma of the defeat of Dien Bien Phu better than my teachers. The writing of the family leader (Christian Marquand) is very good, he has a kind of ridiculous dignity, that fits perfectly.Ruth wrote: ↑May 26th, 2019, 2:08 pmi know people like to shit on the french plantation scenes, but pacing aside, i actually like that chapter of the film. it’s very different, very eerie, like visiting a different time period, or a ghostly memory of if, more like. it’s like a strange comforting (i’m bad with words) stop after hell before the final plunge into madness
i've grown to appreciate them more over the years, but the ending of the second one is maybe one of the best things ever captured on celluloid
so, worth it
-Vader
so, worth it
-Vader