Man of Steel (2013)

All non-Nolan related film, tv, and streaming discussions.
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Reaction from io9:
Man of Steel does have a fair bit of defense in favor of much of the elements in the movie. My first watch of it, I did think it wasn’t traditional Superman. That’s where you have to read between the lines. We’re dealing with, simply, Clark Kent becoming Superman for the whole movie. It’s taking the entirety of Smallville and summing it up to where it should have gotten. We see Clark Kent having to deal with being a kid and a teenager during some rather considerable moments (where he uses his powers to save a bunch of kids at the risk of being outed among them, where he gets goaded into trying to fight back against some bullies, etc). Man of Steel provided us some insight into the man behind the Man of Steel before he became such. A man who had to learn his own rules, his own powers, and build up his character. When he did things like unleash full blown damage against a whole city or snap the neck of surely the last of his kind to save those who weren’t...that was not the Superman people know, but it was the becoming of the Superman we know...the Superman that learns what his powers can do and how far he wants himself to go when it comes to using them, even for the preservation of life. That is why we see him becoming Clark Kent again at the end of the movie, the Clark Kent in the glasses and suit and working for the Daily Planet that we know. That is the turning point where we see Superman slowly becoming such...say what you will about the movie. Even if it was typical Snyder, I think he took a practical approach to such a legendary character and it worked well enough for me.
I agree with everything.

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The Man of Steel ending… Zack Snyder makes his case
Superhero battles are notoriously bad news for urban infrastructure. It’s a populist genre that developed in the decade-and-a-half after a collapsing building became the primary imprinted image in the American subconscious, so on one hand this sort of city-scale destruction can be expected. But as the scope of the stories being told expands exponentially to match the special effects being used to tell them, the presumed body count has grown just as rapidly as the production budgets.

For example: In the climax of Superman II, Zod’s team of black-clad villains attack downtown Metropolis, but the worst they do is explode a few trucks, knock out a few walls, and blow some poor man’s ice cream cone into his face. Meanwhile, in the climax of Man of Steel, Zod and Superman lay full and detailed waste to a hefty percentage of the city. Some audiences critiqued the film and director Zack Snyder for the sequence, in which the two grappling Kryptonians pinball off and through buildings, bringing skyscrapers presumably filled with innocent bystanders crashing to the ground. The collateral damage was too extensive and too faceless for a hero such as Superman, went the line of thinking.

“I was surprised because that’s the thesis of Superman for me, that you can’t just have superheroes knock around and have there be no consequences,” says Snyder. The director says he had always intended for the dead to be counted. Indeed, Batman v Superman addresses these concerns head-on—Superman’s victims serve as Batman’s impetus to take him down. “One of the things I liked was Zack’s idea of showing accountability and the consequences of violence and seeing that there are real people in those buildings,” says Ben Affleck, who plays Batman. “And in fact, one of those buildings was Bruce Wayne’s building so he knew people who died in that Black Zero event.”

Of course, Man of Steel is hardly the first (or the last) superhero movie to feature grand-scale catastrophe. The genre is littered with detritus. The third act of Avengers: Age of Ultron featured an entire city being lifted into the atmosphere, and a villain planning to then throw it directly at Earth. Beyond some galactic being showing up and playing billiards with the planets, that’s about as blunt an example of mega-carnage as can get. The main difference is in the tone. “There are other superhero movies where they joke about how basically no one’s getting hurt,” Snyder says. “That’s not us. What is that message? That’s it’s okay that there’s this massive destruction with zero consequence for anyone? That’s what Watchmen was about in a lot of ways too. There was a scene, that scene where Dan and Laurie get mugged. They beat up the criminals. I was like the first guy, I want to show his arm get broken. I want a compound fracture. I don’t want it to be clean. I want you to go, ‘Oh my God, I guess you’re right. If you just beat up a guy in an alley he’s not going to just be lying on the ground. It’s going to be messy.”
http://www.ew.com/article/2015/07/02/ma ... 8dba53d38d

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Joined: January 2015
Location: George Town Tasmania Australia
SUPERMAN: SOME PERSONAL REFLECTIONS

He Keeps Popping Into My Life

Part 1:


Man of Steel was released to the general public on 14 June 14 2013. I saw 5 minutes of the film nearly two years later thanks to my son who taped the movie for my wife. The latest actor to don the blue tights and big red S was Henry Cavill. The movie's director was Zack Snyder of Watchmen and 300 fame. This $170 million movie was produced by Christopher Nolan, the man behind the hit Batman trilogy. The movie was an attempt to reboot the franchise of one of the most popular heroes in the comic book canon. I leave it to readers with the interest to find out about the plot, the characters, the development, the reception, and much else. Wikipedia has an excellent overview of this action film.

My last contact with the superman-movie-world was a little more than a year ago in early February 2014. I watched some of the 2006 movie Superman Returns one evening in mid-summer in Australia with Valentine's Day just around the corner. Watching the movie gave me a brief visit into fantasy-land, and the experience of some personal nostalgia. I had watched some of this same TV film nearly four years before on 19 June 2010, so my notes informed me. I decided to write this prose-poem providing a personal perspective on this superhero who keeps popping back into my life because I have a TV and popular culture is now firmly embedded in my life.

Part 1.1:

Superman is a fictional character, a superhero that appeared in comic books first published in the 1930s by DC Comics. Superman is now considered, and has been for decades, an American cultural icon, and that means, of course, that his image has acquired an immense popularity.

Superman first appeared in a short story entitled: "The Reign of the Superman" in 1932. In that same year, in July, a dozen years before I was even born, the Heroic Age of the Baha'i Faith was closed with the passing of Bahiyyih Khanum, the daughter of the Founder of the Baha'i Faith.

According to Bahá’ís, every dispensation has one particular holy woman or "immortal heroine". In the time of Jesus it was the Virgin Mary, the time of Muhammad it was his daughter Fatima Zahra, and during the Báb’s dispensation it was Táhirih. Bahá’ís believe that Bahíyyih Khánum is the outstanding heroine of the Bahá’í dispensation. This, of course, has nothing to do with Superman. But the syncronicity of Superman's first appearance in popular culture with a particular aspect of the history of a Faith I have now been associated with for more than 60 years, was of more than a little personal interest. I do not expect this to have any special interest to others.

Paul Asay of The Washington Post writes that the "religious themes keep coming in Superman films: free will, sacrifice. God-given purpose. Man of Steel isn’t just a movie. It’s a Bible study in a cape. The messages are so strong that its marketers have been explicitly pushing the film to Christian audiences."

Part 2:

Superman was first conceived in 1932 and was arguably western civilization’s first superhero. Superman was first portrayed as a villain named Bill Dunn who was later revisioned into a good guy for more popular appeal. Originally, Superman was produced as a syndicated newspaper strip, which ran from June 1938 until May 1966, before being revived between 1977 and 1983.

Superman was then created, so we are informed, by two high school students in Cleveland Ohio, in 1933. By then, the Baha'i community's 9 month period of mourning, which began with the passing of this holy woman, had ended. The comic character, Superman, was sold to Detective Comics, Inc in 1938. By this time the first formal and systematic teaching Plan of the Baha'i community had just begun.

Superman now has an 83-year history(1932-2015). He appeared in comic books, his central texts in the 1930s and 1940s, followed by the George Reeves' 1950 television serials. I was too young to remember those comic-books, but I do recall some of the episodes of that TV series back in the early to mid-'50s before my mother sold our TV to, hopefully, ensure her son was not tempted into triviality on a daily basis.

In the late 1970s and 1980s Christopher Reeve films rewired the entire Superman canon. The Lois and Clark television series of the 1990s was framed as yet another central Superman text. The Crisis on Infinite Earths(2001) and The Man of Steel (1986) comic book series rebooted the entire Superman-mythos, framing a range of sources. These resources were further extended by Superman Returns, as we are informed at that reliable source Wikipedia.

Part 3:

In 2001, the Smallville television series was launched, focusing on the adventures of Clark Kent as a teenager before he donned the mantle of Superman. I watched some of these episodes after I had retired from a 50 year student-and-employment life: 1949 to 1999. Adaptation to various media by any literary or art form depends on a dialogue or oscillation between those media. If I engaged in a cross-media study of Superman, I could look back at the more than three-quarters of a century genesis of this trans-media dialogue. But that is not my purpose in this brief prose-poem.

Until the 1980s, comic books had largely been ignored by media theorists, except as scapegoats in media-effects debates. But comic books are on the cards for analysis by culture theorists in this new millennium. -Ron Price with thanks to Richard Berger, “Are There Any More at Home Like You?” in the Journal of Adaptation in Film & Performance, Volume 1 Number 2, 2008.

Part 4:

Why he’s been around since our Plan
began in the 1930s and 1940s. But no
one had any idea that the lifespan of
this superhero went along with the life-
span of this super-Plan that would, in
time, take the world by storm as the hero
Superman certainly did over these last 83
years in which our global society has been
immersed in a tempest unparalleled in its
magnitude and unpredictable in its force.

Why I remember those comic books,
and the TV programs way back in the
1950s when I was knee-high to those
grasshoppers....and the Baha’is were
in that Ten Year program that took a
new Faith to where it is today in some
200+ countries and territories, the 2nd
most widespread religion on the planet,
so they tell me in that encyclopedia.(1)

Part 5:

(1) Encyclopædia Britannica, "Worldwide Adherents of All Religions by Six Continental Areas, Mid-2002". The term "Superman" derives from a common English translation of the term Ubermensch which originated with Friedrich Nietzsche's statement, "Ich lehre euch den Übermenschen" ("I will teach you the Superman"). These words appeared in Nietzsche's 1883 work Also Sprach Zarathustra. Baha'u'llah was released from strict confinement in the prison city of Akka in that same year to begin the last decade of His earthly life, as Charismatic-Founder of the newest, the latest, of the Abrahamic religions.

The term "Superman" was popularized by George Bernard Shaw with his 1903 play Man and Superman; this was the same year as the approval of the building of the mother-temple of the West in Chicago was given by 'Abdul-Baha. The character Jane Porter refers to Tarzan as a "superman" in the 1912 pulp novel Tarzan of the Apes by Edgar Rice Burroughs.

The originator of Superman would later name Tarzan as an influence on the creation of his own Superman. Abdul-Baha went on His Western tour that year, a super-human effort by a 68 year old man in the evening of His life. I saw one or two, or more, of the Tarzan films starring Johnny Weissmuller back in the 1950s.

Ron Price
14/7/'09 to 21/4/'15.

Note: The above prose-poem was first updated after watching Superman Returns on Australian TV 19 June 2010, and updated again on 17/2/'14, and 21/4/'15.

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Image

Didn't know what Man of Steel thread I should put this in but anyway, it's a great photo.

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